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Danièle Pascal

French born Danièle Pascal enjoys a brilliant career with equal success in the fields of music, theatre, concerts and recording. After graduation from the conservatoire d'art dramatique in Toulon- France with first prize in acting, she ventured to Canada. Since then her career has taken her across the world and her experience embraces everything form serious drama (attaining the Canadian best actors award in 1977) to short films, documentaries and commercials.

Danièle is and has been since her arrival in South Africa, an influential force on the artistic circuit. Pascal is an artist who defies classification. The musical play Edith was an ambitious project, an evocative tribute to the songs of the legendary diva of the night , Edith Piaf.

Not that Pascal has confined herself to bringing alive past eras, she also performed the songs of Marianne Faithfull in the play "Fallen Angel" and many productions on Leonard Cohen and Jacques Brel, while she continues to perform the songs of Edith Piaf in her inimitable way in sell-out one-woman shows.

 

WIL JY BY DIE BOER OPTREE:?
Ons verstaan hoe moeilik dit vir jong kunstenaars kan wees om in die vermaaklikheidswêreld in te breek! Dikwels is dit ʼn bose kringloop. As jy nie bekend is nie, kan jy nie by die groot venues speel nie en as jy nie by die groot venues speel nie!!

Ons het ʼn paar opsies om verdienstelike jong kunstenaars te probeer help. Stuur vir ons ʼn cd of mp3 van wat jy al gedoen het asook enige persverklarings, fotos ens wat ons kan help. Kliek hier om ons te kontak. Ons sal graag  daarna luister en jou kontak as ons voel ons jou kan help.

KUNSTENAARSBELEID
Ons wil help om die langtermyn welstand van die uitvoerende kunste in die algemeen, maar in die besonder “lewendige musiek” te bevorder. Die vreugde van musiekmaak lê daarin om saam met ander musikante te speel, of jouself te begelei. Daarom gee ons voorkeur aan kunstenaars wat sonder “backtracks” speel.

Dikwels word kunstenaars geforseer deur suiwer ekonomiese realiteite om “backtracks” te gebruik en ons hanteer elke geval op meriete. Ons vra egter ons gaste om saam met die Boer ons kunstenaars wat ten spyte hiervan steeds verkies om lewendig op te tree, te ondersteun

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