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Mel Miller has been a icon of South African stand-up comedy for 40 years. Unlike rock music or sports where ones best years are associated with youth, the art of stand-up comedy is a lifelong quest for new ideas and skills improvement and comedians usually only get to the top of their craft much later in life.

Miller is one of these artists that have paid his dues and today he is like a good red wine…actually make that a double whiskey, that has matured to a quality that only lots of experience and practice can produce.

Miller is one of those rare breed of comedians, like John Cleese that can have the audience in stitches from the moment they lay eyes on them. He can say more with one slight expression change on that “rubber face” of his than most other comedians can portray in a whole sentence.

Few people that was lucky enough to see the early 80”s TV comedy series of “Biltong and Potroast” will ever forget the likes of Dennis MacLean, Len Davies, Eddie Eckstein, Cyril Green and others who together with Mel Miller produced something that is as yet unmatched on South African comedy television

And this country is a land of milk and honey for comedians as far as material is concerned!! One can only imagine what Miller will have to say about the “huge soap opera that is called “living in South Africa”

WIL JY BY DIE BOER OPTREE:?
Ons verstaan hoe moeilik dit vir jong kunstenaars kan wees om in die vermaaklikheidswêreld in te breek! Dikwels is dit ʼn bose kringloop. As jy nie bekend is nie, kan jy nie by die groot venues speel nie en as jy nie by die groot venues speel nie!!

Ons het ʼn paar opsies om verdienstelike jong kunstenaars te probeer help. Stuur vir ons ʼn cd of mp3 van wat jy al gedoen het asook enige persverklarings, fotos ens wat ons kan help. Kliek hier om ons te kontak. Ons sal graag  daarna luister en jou kontak as ons voel ons jou kan help.

KUNSTENAARSBELEID
Ons wil help om die langtermyn welstand van die uitvoerende kunste in die algemeen, maar in die besonder “lewendige musiek” te bevorder. Die vreugde van musiekmaak lê daarin om saam met ander musikante te speel, of jouself te begelei. Daarom gee ons voorkeur aan kunstenaars wat sonder “backtracks” speel.

Dikwels word kunstenaars geforseer deur suiwer ekonomiese realiteite om “backtracks” te gebruik en ons hanteer elke geval op meriete. Ons vra egter ons gaste om saam met die Boer ons kunstenaars wat ten spyte hiervan steeds verkies om lewendig op te tree, te ondersteun

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